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sufism shots showing culture of sindh

Ajrak

In its own language: اجرڪ (Sindhi), اجرک (Saraiki)

A Sindhi block-printed cloth in indigo and crimson, worn as a shawl or wrap

Photo: Kashif11, CC BY-SA 4.0, via Wikimedia Commons

Ajrak is a block-printed cloth from Sindh in Pakistan, with a Saraiki version printed in South Punjab. Printers stamp it with carved wooden blocks and dye it, usually in indigo and crimson, and it is sold unstitched so it can be draped as a shawl, a dupatta or a plain wrap.

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  • Printed with carved wooden blocks and resist-dyed, mostly in indigo and crimson
  • The name may come from Persian ajar, brick, with the suffix -ak
  • A Mohenjo-daro bust shows cloth over one shoulder that resembles ajrak
  • Sold as long unstitched cloth, draped as a shawl, dupatta or wrap
  • In 2025 Sindh put an ajrak-inspired design on vehicle number plates

What is Ajrak?

Ajrak is a block-printed cloth from Sindh, in Pakistan, and from the Saraiki-speaking part of South Punjab. It is not a single pattern but a family of them: geometric repeats stamped onto cloth with carved wooden blocks, then dyed. The usual colours are indigo and crimson, with white and black lines holding the shapes in place. It is sold as long, unstitched lengths rather than stitched garments, so one cloth can serve as a shawl, a dupatta or a plain wrap, and the lengths vary. Sindhi families treat it as a marker of who they are, and give it to guests. Small communities of Sindhi descent keep the craft going in India as well.

Where does Ajrak come from?

The lower Indus Valley is the deep background. Settlers there grew tree cotton, Gossypium arboreum, and worked out textile skills that later fed the block-print tradition. A steatite bust dug up at Mohenjo-daro, the so-called Priest-King, now in the National Museum of Pakistan, wears cloth over one shoulder that looks like ajrak, patterned with a trefoil and small circles whose insides were filled with red pigment. Designers of the blocks later drew on Mughal-era ideas. The name is often traced to Persian: ajar, meaning brick, with a small-making suffix, -ak. The craft travelled with Sindhi families, and Sindhi communities in Gujarat and Rajasthan, and printers in the village of Ajrakhpur in Kutch, still make it.

How is Ajrak made?

Two things happen to the cloth, printing and dyeing, and the dye does much of the work. Blocks are cut from wood and stamped by hand. Natural dyes are used, both vegetable and mineral, and indigo is the key one. Resist-dyeing means the printer blocks out colour so parts of the cloth stay pale, and the pattern rises as the cloth passes through the dye bath. The commonest element is a row of dots set between two lines, the same size in almost every design. They were carved by hand at first, then made by driving brass nails into the gap between the two walls. Reading those dots is how you read an artisan.

Ajrak, drawn

The cloth Field indigo with crimson, block print motif. Drawn from this page, not from one saree.
Draped A sketch of the usual Nivi wrap in this saree's colours.
Block print: a carved wooden block is dipped in dye and stamped again and again.
vertical: warp, across: weft
Plain weave: the weft thread goes over one warp thread and under the next, then the reverse on the next row.

Colours, motifs and borders

The geometry is deliberate. Muslim designers worked from a strong sense of pattern formed where two or more circles meet, and took architectural shapes as models for balance and order, the mizan. A grid sets the repeat. Surrounding things are drawn in as abstract, symmetrical forms. The centre of an ajrak carries a field of pattern the printers call jaal, and the names travel with the motifs: mohar, ambri mohar, badam, chakki, kakar and many more. Colour runs to indigo and crimson, with white and black sharpening the outline.

How Ajrak is worn

Ajrak is sold as one long piece of cloth, unstitched, in whatever length the buyer chooses, so there is no single way to wear it. Most often it goes over the shoulders as a shawl, or round the neck and chest as a dupatta, or simply as a wrap. Nothing is cut or tailored, which is part of the point: the printed field is meant to be seen whole. The cloth is also laid over guests as an honour rather than tied on.

When Ajrak is worn

Weddings are the clearest occasion, along with cultural gatherings of every kind. In Sindhi public life ajrak turns up constantly, and it is the standard gift to a visitor: the host places it over the guest's shoulders, which both settles the guest and lets them look at the cloth properly. Outside these settings it is worn as everyday covering in the way a shawl or dupatta is. It has also become a badge of Sindhi identity, shown in exhibitions and in media about Sindhi textiles.

Styles of Ajrak

There is a Saraiki version printed in South Punjab, close enough to be named on its own. Away from Sindh, Sindhi families in Gujarat and Rajasthan and the printers of Ajrakhpur in Kutch keep the craft alive. Ajrak has lately drawn block-print enthusiasts, and after an earthquake demand grew past the traditional uses; brands began asking for new blocks, new colourways and new methods. That pressure has a cost. Natural dyeing is slow and dear, so cheaper chemical-dye versions now appear for fast-fashion buyers. What separates them is the dye and the hand-carved block.

What Ajrak means

Ajrak does two jobs at once. It is cloth a person wears, and it is the thing a host gives, so hospitality and identity sit in the same printed square. Alongside the Sindhi topi, the cap, it is offered to guests as an honour. The cloth appears in exhibitions and press coverage of Sindhi textiles, and in 2025 the Government of Sindh put an ajrak-inspired design on new vehicle registration plates, a public use of the pattern to mark regional identity.

Questions people ask about Ajrak

Where does ajrak come from?

Sindh, in Pakistan, is its home, and a Saraiki version is printed in South Punjab. Sindhi communities in Gujarat and Rajasthan in India, including the village of Ajrakhpur in Kutch district, also keep the craft.

How is ajrak made?

Carved wooden blocks are stamped onto cloth by hand, and the cloth is resist-dyed. Dyes come from plants and minerals, with indigo the key one. The dots between two lines seen in most designs were carved by hand, later made with brass nails.

What is a jaal?

Jaal is what Sindhi printers call the field of pattern down the centre of an ajrak. The individual motifs carry their own names, among them mohar, ambri mohar, badam, chakki and kakar, and some blocks were cut by hand.

Is ajrak always naturally dyed?

No. It has largely been a natural-dye craft, which makes it expensive, and cheaper chemical dyes are now used for fast-fashion products. New colours, new blocks and new techniques came in with that demand.

How is ajrak worn?

It is sold unstitched, in varying lengths, and draped as a shawl, a dupatta or a wrap. It is also laid over guests at weddings and cultural events as a mark of respect, often alongside the Sindhi topi.

Good reading and sources

Where this page comes from

The facts on this page come from the Wikipedia article "Ajrak", written by its contributors and used under the CC BY-SA 4.0 licence, and from its Wikidata record (CC0). EveryPallu rewrote the text in its own words, with AI assistance, and compares every page with the article to make sure no passage is copied. It may be reused under the same CC BY-SA 4.0 licence with a link back.

It may contain mistakes. Traditions, weaves and prices differ from one weaver, town or shop to the next, and it is not buying advice. If something is wrong, tell us. Last refreshed 2026-10-30.

Photo credits on this page

The small pictures above come from Wikimedia Commons under free licences. Some are cropped to fit.

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